Sunday, March 14, 2021


February ~ L'assemblage by Michael Douglas Jones  ©2021
Original artwork SOLD at Gallery 322 

    Cold and dreary February; ice and cold wind blow. Inside, warm, on frigid Frederick days, sets the mind to Valentines, and grade school parties, with shy young boys, giving their candy hearts to their one Valentine girl; the girl whose card was so hard to choose, the only one they signed with love.  And after school, alone at home, sitting, staring at the card that came from her.  It is handled so very carefully, for months and months, so not to smudge the name.  But finally, that most important card is lost with age, as are the loves, and dreams of youth.

    I lost a lot while growing up, and wondered if I might find it again, that total love, one feels at youth, but February reassures me when Valentines for you are so very hard to choose, and the only one I signed my name to, underneath  I Love You.

Court Street, Frederick in Spires



Saturday, March 6, 2021

Leaving You at Sundown

Sundown Road ~ L'assemblage by Michael Douglas Jones  ©2021
Original artwork available at Gallery 322 

Leaving; riding beside the split-rail toward the sundown road. In the crisp winter air, the smell of oakwood smoke fades; the warmth of your whisper still wrapped like wool around me.


Sunset on Sundown Road, Laytonsville, Maryland. January 15


Sunday, February 28, 2021



WINGS ~ L'assemblage by Michael Douglas Jones  ©2021
Original artwork SOLD at Gallery 322 

Butterfly emerges

when it can no longer hide its wings.

Monday, February 22, 2021

Ride the High Wheel

Ride the High Wheel ~ L'assemblage by Michael Douglas Jones  ©2021
Original artwork SOLD at Gallery 322 

    In the veiled light of predawn, I ride the high wheeler from Market Street, south toward the Monocacy river bridge, past the cornfield and Queen Anne’s lace, into the fog façade, the grey above green, a watercolor wash atop the cover crops, as quiet as a cloud.

Sunday, November 22, 2020

The Seeder


Four hundred years ago, we sailed west, and here, met our kin who had moved east long before that. Upon landing, there was great celebration, but the camaraderie was short-lived; the long separation had turned many hearts to flint and within fifteen years, the first of the twenty-seven wars began.


After all this time, there is still a divide that separates the blue tribes and the reds. Small skirmishes flare up often and the opposing tribes have gradually separated to camps and cities scattered through the land. After four centuries, it’s difficult to tell your red relatives from your blues and I would not choose between two wrongs. I’ve, also, never been accustomed to the babble and chatter of the cities and camps, so I lived off the land between the camps and became a seeder.  


There are other seeders like me; we ride between the camps, bringing books, sharing seeds and small deeds of compassion, giving credit to a neighboring camp. Our goal, perhaps impossible, is to bring the tribes back together. Mostly, we are seen as dreamers; naïve, harmless, like artists and poets. There are those that view us as gypsies, or perhaps spies of some vast conspiracy, so vigilance is always our watchword. When I meet other riders traveling between the camps, I have a cautious word with them, until I can be sure that they are seeders also. We never gather in groups; we pass short messages to one another about our progress, and where we have seen sparks of understanding.


We are not here to gain merit; most of us fell into this role when we were still quite young. We will ride until these tribes become one again. We don’t expect to be leaders of a new tribe; the seeders are a loose affiliation. My English ancestors sailed the tall ship, Mayflower; my Patawomeck ancestors paddled the poplarwood canoe on the river, Rappahannock. There are no enemies for me, only family, to share thanks giving.

Tuesday, November 10, 2020

Perigee Moon

Perigee Moon ~ L'assemblage by Michael Douglas Jones  ©2021
Original artwork available at Gallery 322 

  Milk glass sky, its curtain of clouds, wispy white, twilight, moving stage right for the star of the evening; perigee moon.  Firefly ushers, with soft light, show us to our seats, while passerines pair up in birdsong, the opening act. Perigee, her dance of veils behind the locust tree; each veil drops; the black, the gold, the red, the silver, as the artist pours a pint of ale.  Oh, Pensée; he is waiting for epiphany; perigee moon.



Monday, October 19, 2020

One o’ them two dollar words...

Clarence Douglas Jones, U.S.Navy 1942

     After Pearl Harbor, my father enlisted in the Navy to fight Fascism. On December 11, 1942, his ship, USS SCOTT was torpedoed, and sunk off the coast of Africa during the Allied invasion of French North Africa. The torpedo hit the Starboard side; the ship burst into flames and foundered, but owing to the availability of landing craft for rescue, casualties were limited to 59 men. My father was a landing craft pilot. He was only 17 that day.

    Now, Fascism was too big a word for a 16 year old Virginia farm boy with a sixth grade education, but he knew it by its true names. He knew the bully harming weaker folks, too young or too old to stop them; the bigot hating the “coloreds” and the “come-heres”; the big man belittling women and treating them as chattel; the straw boss rewarding his buddies; the revivalist bathing in the baptismal font with a gifted jug of bootleg whiskey, before launching into an hour of fiery brimstone, and eternity in the sky. Yeah, fascism was one o’ them two dollar words, and where he was raised, and where I was raised, life, all life was precious and was not ours to rule or roll over.

     Here we are, nearly 80 years later, still fighting Fascism; we just have to VOTE.