Monday, December 16, 2024

One Day

One Day
 Trompe-l'œil L’Assemblage by Michael Douglas Jones ©2024
 Original artwork at at Gallery 322


   She asked, and I said,
one day, I will build a small cottage down near the Wilderness Run, where I can listen to the cool deep waters of spring freshet. I will raise a red bank barn with a fine stable of Morgan horses. I will plant and harvest, and plant and harvest, and plant again. I will see the seasons; the spring growing, the winter resting, and all the days between.
   And she asked why, and I answered,
I long to marry and dance many a Virginia Reel in the parlor with you. I long to start a family; the tiny tickle of babies laughing, filling our rooms, filling our hearts, and I long to sit on our front porch in the still evening of peace and plenty into our old age.
  And she said, you should ask.


 
 

Saturday, December 7, 2024

The Still Evening

The Still Evening
 Trompe-l'œil L’Assemblage by Michael Douglas Jones ©2024
 Original artwork SOLD at Gallery 322


  In the dark days, we rode together; we weathered every inch, and we set our stories on another day when we would war no more, when you and I would sit in the still evening of peace and plenty on the kingless road.

  Now, cruelty rules on court street, as storm clouds roil with a rumour of revenge, and the fields are afire again. Flames unfurl and whip like swallowtail guidons in the furious wind across the ridge, and we are called to ride once more.

  Yes, you are scarred, and wounded, yet I see that you can still place your burnt hands together, showing a simple gesture of grace to find the divine in each and all. Your heart is war weary, this is painful, yet you are my continuing hope. I ride at your side, until we reach the still evening.



 




 

Saturday, October 12, 2024

Small Deeds

Small Deeds
 Trompe-l'œil L’Assemblage by Michael Douglas Jones ©2024
 Original artwork available at Gallery 322


 Journal Entry: July 1, 1862

 Tonight, we will sleep along the wet roadside near the Chickahominy River. This falling rain may wash away the blood of the thousands lost today on Malvern Hill, but if this destruction continues, every person will be gone, as every structure, every tree will be burned, and all that shall remain will be the detritus of this once sylvan paradise. There is little trace of the past and little hope for a future; there is only now, and all that I have to give now are the seeds from my pocket. I have a habit of keeping seeds from any fruit I had the pleasure to have eaten, because of stories told by my Ohioan relatives; the tales of Johnny Appleseed, who died around the time I was born. Now on the grim days, when I feel as though I have so little to give, I still carry a seed to remind me that it is not these great armies that change this world; it is the small deeds, the small seeds planted for someone you might never know. Perhaps, amid this destruction, if I can at least plant a seed, I have accomplished some small act of compassion. Perhaps one day, a tree grown from these small seeds might provide shade or sustenance to some other weary traveler.


 

Saturday, April 13, 2024

The Two Ways

 

The Two Ways
Trompe-l'œil L’Assemblage by Michael Douglas Jones  ©2024
Original artwork available at Gallery 322



I would save, she would share;
we were opposites attracting.
I would rage, she would whisper;
I was cold to her compassion.
I was sinner, she was saint;
together, we were all the world;
the way that it will always be;
for you would not know her warmth,
had you not felt my chill.


 


Wednesday, February 14, 2024

Snow Shower

Snow Shower
Trompe-l'œil L’Assemblage by Michael Douglas Jones  ©2024
Original artwork available at Gallery 322




 Snow shower, sugar powder,

 dry and drifting

 down the White’s Ferry road,

 where I walk,

 winter warm,

 recalling summer girls,

 with funnel cake faces,

 waiting for the Ferris Wheel.


 


 

Wednesday, January 10, 2024

Aviary

Aviary
Trompe-l'œil L’Assemblage by Michael Douglas Jones  ©2024
Original artwork SOLD at Gallery 322



The cage was in the eye of the gaoler;

the song was in the heart of the bird,

and the bars could not hold it,

no matter the size of the cage.